Will the metaverse be a “pornoverse”?

Written by Sebastiaan Crul
October 28, 2021

Over the past few years, we have written extensively about the potential of the metaverse as a place where meaningful social activities take place. For many tech players and commentators, it is the next big thing and something they long for one way or another. Yet, one topic remains underexposed amid all the buzz around the metaverse: porn.

Porn is worth studying as it has always been closely linked with technological innovation and the porn sector has often been an early adopter (some even argue it has been an important driver of innovation). Especially the analogy with the early days of the internet is worth keeping in mind when imagining the metaverse. Comparable to the internet in the 90s, the metaverse is often idealized as an interactive medium, where users participate in collective practices such as visiting a virtual exposition or festival. However, instead of this radically creative and democratic “information superhighway”, most of the internet has become a giant passive streaming and swiping entertainment universe, with porn accounting for a significant portion of daily internet traffic and Google searches. Does the metaverse await the same fate? Interface improvements such as haptic suits and virtual glasses will only amplify the attractiveness of porn in these immersive worlds. And Gen Z, sometimes labeled the “puriteen” generation, is developing a complex relationship with intimacy in our digital society. If these underlying economic and cultural trends do not change, we should not be surprised if the (early phase of the) metaverse turns out as a virtual Red Light District.

Burning questions:

  • We worry about bitcoin consuming too much electricity, but what about all the streaming of video and pornographic content?
  • How is the proliferation of digital media and virtual practices shaping the sexual relationships of younger generations?

The sound and cost of silence

Written by Pim Korsten
December 18, 2020

In his book Sound: A philosophy of musical experience (in Dutch), musical philosopher Tomas Serrien posits that we’re in an auditive crisis, meaning the visual is now more dominant than the auditive. We’re consuming more and more images, domains are increasingly structured according to the logic of the image (e.g. ocular democracy), while large companies are investing more in video streaming.

Yet our ears are increasingly stimulated as well: megacities are host to cacophonies, we can stream sound and music anytime, anywhere, and virtual voice assistants and speech recognition technology have us speaking and listening more, even in public spaces (e.g. in public transport, at work). But just as visual overload can cause “screen fatigue”, the ubiquity of sounds, microphones and headphones can lead to “listener fatigue”, a known cause of physical and mental problems. As a response, several (new) practices are on the rise, such as noise-cancelling headphones (originally invented for airplane pilots), silence wellness retreats, and practices that accentuate the spiritual value of silence (e.g. yoga and meditation). With sound in abundance, the sound of silence is becoming more valuable.